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The drama was an excuse for too bright, too much, sizzle. (Sanjay Dutt) was the circus's silly clown.
#Door ka musafir hindi movie movie
But the American movies are already there, so what exactly the Indian filmmakers have to offer?! Actually it looked like an Indian movie written and directed by Americans, or an American movie with Indian language and stars! Speaking of which, It was scary to see (Anil Kapoor) knocked over by an American coolness storm like this as if a vengeance of mad stylist hit him badly.
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Therefore the numerous references here to Indian classics like (Zanjeer - 1973), or else, weren't only a source of pride, or a homage from movie to another, it was also a kind of desperate affirmation that this is India anyway, or what's left to define it! Of course it says something about sheer technique just to amuse heavily. But you know what?, Bond movies don't endeavor to be Indian! They have a script of their own, and a world of nonsense of their own too. For instance, James Bond movies have thick flamboyant surface and nothing else. It has thick flamboyant surface and nothing else. So if you used to call the flashy pastime flicks a cotton candy, then this is the dope! Maybe it says that Bollywood has gone bankrupt. It's hot, big, and in your face mix that embodies the crime Indian movie as pure American as it could be! So, what this entertaining movie from the east could say? That the American pop became the pop?! It was like watching an overlapping of broadcasts that included the MTV channel, an American movie channel, and some Indian movie channel all at once. All of that in a colorful, prurient, and psychedelic world that lengthens for - if you can stand - 151 minutes. Here, (Sanjay Gupta) made a mix of: A stolen American movie Oliver Stone's (U Turn - 1997) this time + A gangsta rap singer's music video overloaded with many girls, golden teeth, undulate smoke, rich limos, loud music, hostile lyrics, and - let's not forget - ice cubes in a glass of wine! + Some of Robert Rodriguez's style (in one sequence it seemed like a Desi Desperado!) + Possible plot concerning an angry Indian Don, filled with enough flying bullets and various corpses. Now, and especially in (Musafir), it's nothing but American movies, American video clips, American style, and American music. Surely they got their own problems, but at least were more original and more Indian.
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However, what a shameful proof of lack that could be! I liked the old Indian movies. But could ripping-off American movies, as well as imitating blindly their atmosphere and style, be a "style" in itself? I think: Yes. And in the same time, his movie represents the majority of Bollywood production in the 2000s, as an ideal example for the shinny bottom that this cinema can reach! First off, despite any onslaught you may do against (Gupta), you must admit that with intensive technique, the man delivered what he promised. Remember the American movie (Single White Female - 1992)? When (Jennifer Jason Leigh) was psychologically unstable, and went to imitate her roommate (Bridget Fonda) in nearly EVERYTHING! Well, I did remember it while watching (Musafir), whereas it imitates ridiculously American ANYTHING! Director (Sanjay Gupta), who directed (Musafir) and co-wrote it (correctly co-stole it!), ensures whatever you may demand out of a purely commercial movie from the contemporary Indian cinema.